Entry to a ballet focus level is by audition or invitation from the dance director of RPA
Requirements for Level I
Have taken at least 1 year of ballet, be familiar with basic terminology such as Plié, Tendu, Degagé, Passé, Sauté, Arabesque. Know and understand how to behave in a classroom setting outlined in the Class Etiquette Sheet.
Ballet Level I
Focusing on class development, the dancer learns fundamentals of proper placement and alignment. Musicality becomes a key element, learning combinations to music with preparations. New stretches are introduced to promote flexibility. Primary positions are introduced with arms and legs with the expectation of knowing them without fault before moving on.
Requirements for Level II
Know the 5 basic ballet positions of the feet and arms
8 Relevés at the barre in First and Second Position with heels staying on the ground in each plié with proper hip placement
Sur Le Cou-de-pied to Retiré, properly wrapped without sickling as the foot lifts and lowers
Sauté, Changement, Pas de chat, Assemblé, Glissade, should all be executed correctly
Is an example of proper classroom etiquette and dress code
Ballet Level II
With fundamentals established the student experiences carefully regulated exercises in progression to warm up and strengthen the body. Muscle memory evolves with balancing, turning, jumping, and stretching. Class room etiquette is enforced to promote a healthy discipline. The dancer learns to pick up combinations quickly and efficiently developing a unique memory skill.
Requirements for Level III
Quickly pick up combinations without relying on others
Show a wide range of flexibility in torso, back, legs, and feet
Balance in Sous-sus, Coupé, Retiré, Attitude, and Arabesque in correct alignment with ease at barre
Pirrouette from fifth, Chainé, and Piqué turns without elevated shoulders or compromised positions
Changement, Soubresaut, Entrechat Quatre, Échappé, must all be clean
Grand Jetés, Pas de Chats, and sissonnes must all be executed with ease while maintaining turn out with a strong but calm port de bras
Ballet Level III
Classic ballet lines are taught with the nine directions of the body. A student’s endurance and strength is pushed to new limits. Seamlessly connecting steps and lines in multi fashion students learn how to balance and transfer their weight without pause. A complete class with all the ingredients of barre, center, progressions, petit and grand allegro, révérence, are created in many ways, promoting versatility and strength. Dancers experience the same intense training as elite athletes.
A class that focuses on getting the strength needed for pointe shoes. The anatomy of the foot, muscles, and bones structure are taught to prepare students for what happens to feet while on pointe. Specific exercises are introduced to target certain muscles in the foot and calf.
*There may be a mixture of students starting pointe and those preparing for pointe
*Taking this class does not guarantee you will start pointe.
Requirements for Pointe
Be 11 yrs. old
16 Relevés on each foot at barre with other foot in coupé derriere without tiring or faltering
Have a straight line or past from ankle to toes when pointing feet while sitting on the floor
Engage quadriceps, hamstrings, and glutes while on relevé, pulling up knee caps
Have a strong core, holding correct pelvis alignment without tipping forward and allowing lower back to push the abdomen forward in class
Show strong ankles in relevés in class always having the weight in the 2nd toe, never rolling the ankle forward or back
8 temps levés on each foot in coupé derrière, arms in low fifth without labored upper body
Requirements for Level IV
Take a year of pre-pointe
Developpés must be at least 90 degrees
Clean double pirrouettes
Show clean beats in petit allegro
Have a confident port de bras in grand allegro without relying on others
Take three ballet classes a week
*Taking a lower level class to supplement the requirement is acceptable.
Ballet Level IV
Advanced students work on combining pointe with technique class, a key moment in a ballet dancer’s training. Pointe work is integrated into class work. Artistic development is encouraged; the grace and poise of a ballerina dancer is perfected. Students experience the training of a pre-professional dancer.